The work takes thick and solid steel plates as its base, on which I draw the images of King Kongs. From the inside to the outside I repeat the contours as if I am making a contour map. I exert the power of flame cutting to penetrate the steel plates like paper cutting, and then draw out the space to make the form become a changing, overlapping phenomenon.
The Incarnation of King Kong—The Deity (L)
Steel, Motor device, LED lighting